§ Styles
Each Polynesian culture has its own graphic grammar. Māori and Samoan are not the same thing. Here I explain the difference, how I approach each tradition, and how I fuse them with respect when the piece calls for it.
The Māori art of tattooing the skin. Curved lines, spirals (koru) and soft symmetry that embrace the anatomy. Tā moko was ceremonial and genealogical; Kirituhi was born as its contemporary counterpart, open to non-Māori.
«Tā moko isn't copied. It's designed on the body, listening.»
02 ——
Tatau · Pe'a (men) · Malu (women)
Samoa · etymological origin of the word «tattoo»
Rigid geometric bands, repeated triangles (niho manō) and large solid masses of black ink. The Pe'a covers from the waist to the knees; the Malu goes from the thighs to the knees. A tradition of the bone comb (ʻau) and the mallet (sausau), today adapted with modern technique.
«Samoan doesn't forgive. Every band has its place, its scale, its geometry.»
03 ——
Polynesian · respectful fusion
Polynesian triangle · my signature
My natural ground: I fuse the Polynesian traditions with respect, keeping the syntax (anatomy, symmetry, symbology) with an aesthetic criterion faithful to tradition, adapted to current times and techniques. It's the most requested style in Barcelona.
«Faithful to tradition, adapted to current times and techniques.»
Which style fits your idea? We decide that in the consultation.
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